Panchratna Kanya
In a traditionally male-dominated art space, Babi Bandekar shattered norms by empowering his five daughters to shape the very clay that bound his soul. Today, the Panchratna proudly run Ganesh Chitra Mandir, sustaining a 58-year-old legacy.
Five daughters — Pratibha, Vimal, Manisha, Hema, and Trupti — whom Babi proudly called his Panchratna. He insisted they be educated and independent. Today these five sisters carry Ganesh Chitra Mandir: sculpting Ganesha and Durga from six inches to eighteen feet, making moulds, painting, drawing eyes, managing artisans, and serving devotees.
One workshop rule endures: leave your profession at the gate. Inside, you belong to the clay. The Panchratnas are skilled in every task — from shaping and moulding to ornament and coordination — so that the living tradition of Babi Bandekar continues with reverence.
On Diwali Padwa, 12 November 2015, Babi Bandekar passed away. The daughters had already earned recognition as outstanding women sculptors. They continue the workshop and the legacy he began in Chembur nearly six decades ago.
Ganesh Chitra Mandir steps into another year of devotion — the Panchratnas bearing the mantle of their father’s craft with skill, love, and faith.
Pratibha
The eldest sister, instilling focus and traditional discipline in the workshop.
Vimal
The meticulous pair of hands that perfects the delicate features of idol faces.
Manisha
Focuses on the intricate ornamentation, bringing the royal Peshwari aesthetics to life.
Hema
Specializes in proportional sculpting, ensuring balance and poise in every creation.
Trupti
The color expert, mastering the deep hues and the divine eyes that mesmerize devotees.
At the Workshop
The Panchratna Kanya at work — shaping clay, colour, and devotion in Chembur.